The 14th century dragon king temple in Southern Shanxi is the only known intact survivor of this ancient Water God institution once existing in every Chinese agricultural community. After describing the history, lay-out and mural paintings of the building, its original Yuan time mural paintings enable the author to depict the ritual of praying for rain, and the actual rain-maki...(展开全部)

Limited Edition. One of 999 numbered copies, this being #572. 146pp., with color covers, and b/w interior. His work explores paraphilias, such as lolicon, ero guro, BDSM, and other fetish themes. Innocence, violence, misogyny, and Japanese popular culture all collide in Brown's art.

"The Sea of Fertility is a literary legacy on the scale of Proust's" National Review The story of one man's obsessive pursuit of a beautiful woman and his equally passionate search for enlightenment, The Temple of Dawn powerfully dramatises the Japanese experience from the eve of World War II through the post-war era. Honda, a brilliant lawyer and man of reason, is called to Ba...(展开全部)

"The Sea of Fertility is a literary legacy on the scale of Proust's" National Review The story of one man's obsessive pursuit of a beautiful woman and his equally passionate search for enlightenment, The Temple of Dawn powerfully dramatises the Japanese experience from the eve of World War II through the post-war era. Honda, a brilliant lawyer and man of reason, is called to Ba...(展开全部)

阿尔弗雷德•诺思•怀特海（Alfred North Whitehead），英国著名的数学家、哲学家和教育理论家，他是20世纪庞大的形而上学体系——“过程哲学”的创始人，同时也是学界公认的20世纪伟大的哲学家之一，他在宇宙论、认识论、宗教学说三个方面超越了前人。他的《过程与实在》一书，堪与康德的《纯粹理性批判》媲美。21世纪，怀特海的过程哲学影响遍及全球：他的万物皆有物质极和精神极的理论成为现代生态学的哲理基础；物理学中的量子论印证了他的学说。 周邦宪，翻译家。1996年开始致力于翻译、介绍怀特海的过程哲学。先后译有怀特海的《观念的冒险》《过程与实在》《宗教的形成》《符号的意义及效果》，美国过程哲学家罗伯特•梅斯勒的《过程—关系哲学：浅释怀特海》，美国建设性后现代哲学家大卫•雷•格里芬的《解开世界之死结》《复魅何须超自然主义》《怀特海的另类后现代哲学》...(展开全部)

Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses thr...(展开全部)

Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses thr...(展开全部)

What is the function of style today? If the 1970s were defined by Postmodernism and the 1980s by Deconstruction, how do we characterize the architecture of the 1990s to the present? Some built forms transmit affects of curvilinearity, others of crystallinity; some transmit multiplicity, others unity; some transmit cellularity, others openness; some transmit dematerialization, o...(展开全部)

Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone until he becomes an acolyte at a famous temple in Kyoto. He quickly becomes obsessed with the beauty of the temple. Even when tempted by a friend into exploring the geisha dist...(展开全部)